Writing is one of the four cornerstone skills of every inclusive educational curriculum. It helps us form our thoughts into coherent verses and communicate over distance and time. It is a skill usually approached as a way of appeasing bands for standardised exams, but, in fact, is the perfect tool to foster the development and expression of empathy.
Scaffolding Writing to Elicit Empathy (Secondary)
$5.00
Writing is one of the four cornerstone skills of every inclusive educational curriculum. It helps us form our thoughts into coherent verses and communicate over distance and time. It is a skill usually approached as a way of appeasing bands for standardised exams, but, in fact, is the perfect tool to foster the development and expression of empathy.
Related products
-
Secondary ScaffoldsQuick View
Scaffolding Activity for Classic Literature 2: Framing Meaning with Art
$5.00 Add to cartRated 0 out of 5 -
Secondary ScaffoldsQuick View
Scaffolding Classical Literature: Read, Remember, Rendition
$5.00 Add to cartRated 0 out of 5 -
Secondary ScaffoldsQuick View
Scaffolding Academic Language by Identifying Visual Differences (Secondary)
$5.00 Add to cartRated 0 out of 5 - Quick View
Scaffolding Activity for Classic Literature 2: Framing Meaning with Art
Students are given artistic renditions of the story by documented artists with captions underneath in authentic language. They put the images in order according to what makes sense to them with regard to images and language. In the best practices of the Ethic of Excellence, in groups, they then exchange their artwork and analyse each other’s renditions.
Students are given artistic renditions of the story by documented artists with captions underneath in authentic language. They put the images in order according to what makes sense to them with regard to images and language. In the best practices of the Ethic of Excellence, in groups, they then exchange their artwork and analyse each other’s renditions.
Scaffolding Classical Literature: Read, Remember, Rendition
Through varied techniques, the reading of authentic classic literature is an incredibly enriching experience (although your students may not appreciate or admit this until years later!). Presented creatively, you may find that otherwise uninterested students will happily participate in activities that review/clarify details of the stories and so be able to interact with the literature more confidently.
This activity focuses on the purity of Shakespeare’s language. Let the students roll it around in their mouths and feel the strangeness and how satisfying it is when they can finally pronounce some of the dialogue.
Through varied techniques, the reading of authentic classic literature is an incredibly enriching experience (although your students may not appreciate or admit this until years later!). Presented creatively, you may find that otherwise uninterested students will happily participate in activities that review/clarify details of the stories and so be able to interact with the literature more confidently.
This activity focuses on the purity of Shakespeare’s language. Let the students roll it around in their mouths and feel the strangeness and how satisfying it is when they can finally pronounce some of the dialogue.
Scaffolding Academic Language by Identifying Visual Differences (Secondary)
Studies show that memorising academic language is ineffective in the long-term*. Students may be able to pass an exam they are studying for, but without having used the terms to analyse, compare, categorise, and defend their own ideas, most students will forget the meanings of the words as quickly as they learned them.
The solution is easy. We create opportunities for our students to use these words, terms and phrases while analysing, comparing, categorising, and defending their own ideas.
Studies show that memorising academic language is ineffective in the long-term*. Students may be able to pass an exam they are studying for, but without having used the terms to analyse, compare, categorise, and defend their own ideas, most students will forget the meanings of the words as quickly as they learned them.
The solution is easy. We create opportunities for our students to use these words, terms and phrases while analysing, comparing, categorising, and defending their own ideas.
Scaffolding with Timelines (Secondary)
We can create timelines – or use ones that are offered in the Student Books – as effective tools our students can use to categorise new knowledge through different learning styles, thus encouraging the information to pass from short-term to long-term memory. **
Timelines are used when there is a definitive focus on the concept being studied. Using them, we create a particular question our students need to answer or some situation or event that they need to understand; we can also, of course, use a queries from their Student Books. Cooperative learning is recommended because, if a challenge arises in which one student is weak on linguistics while another is weak on visual clues, they can work together to transfer their respective weakness into strengths. Previously unsuccessful students can then become successful in making sense of, and will acquire a feeling of control over, the subject matter.
We can create timelines – or use ones that are offered in the Student Books – as effective tools our students can use to categorise new knowledge through different learning styles, thus encouraging the information to pass from short-term to long-term memory. **
Timelines are used when there is a definitive focus on the concept being studied. Using them, we create a particular question our students need to answer or some situation or event that they need to understand; we can also, of course, use a queries from their Student Books. Cooperative learning is recommended because, if a challenge arises in which one student is weak on linguistics while another is weak on visual clues, they can work together to transfer their respective weakness into strengths. Previously unsuccessful students can then become successful in making sense of, and will acquire a feeling of control over, the subject matter.